Liu Bei Visits Zhuge Liang in a Snow Storm

Tsukiyoka Yoshitoshi
Edo 1839 – Tokyo 1892
Liu Bei Visits Zhuge Liang in a Snow Storm
Gentoku Fusetsu ni Komei o Otonau
Woodblock print, nishiki-e
each sheet 365 x 257 mm; overall 365 x 771 mm

Series: Illustrations of the Romance of the Three Kingdoms
Sangokushi zue no uchi

Fine, even impressions, with mica powder in the stream, karazuri effects, overprinting of red and black, refined bokashi. Colours and sheets in fine condition, minimal traces of vertical creases.
Another fine impression of the triptych is in the Fitzwilliam Museum, Cambridge, Accession NP.15-2003.

Woodblock print, nishiki-e
Vertical ōban triptych, each sheet 365 x 257 mm; overall 365 x 771 mm
Signed: Taiso Yoshitoshi ga, red seal Yoshitoshi, carver’s seal Horiko Muneoka
Publisher: Komiyama Shô bei with date Meiji 16 (1883)
Dated: 1883

Price on application

Yoshitoshi was one of the last great masters, and one of the great innovative and creative geniuses of the Japanese woodblock print. At the age of eleven, he was enrolled as a student of the school of Kuniyoshi. His early work is full of extremely graphic violence and death, perhaps mirroring the lawlessness and violence of Japan around him, which was simultaneously going through the breakdown of the feudal system imposed by the Tokugawa shoguns, as well as the impact of the West. By 1871, Yoshitoshi became severely depressed. Unable to work, he hardly produced any prints for two years. In 1873 he recovered from his depression and changed his name to Taiso, which means great resurrection. In 1882 he was employed by a newspaper. This gave him a steady income and marked the end of years of poverty. His last years were among his most productive, not only in terms of quantity, but also in terms of artistic quality. In 1885 the first designs of One Hundred Aspects of the Moon were published. This series was extremely popular. In 1888 the series 32 Aspects of Customs and Manners was published, a series of women's prints. In 1889 a new series with ghost subjects came on the market: New Form of 36 Ghosts. The symptoms of mental illness became more and more frequent. Nevertheless Yoshitoshi continued to work. He died in 1892 from a cerebral hemorrhage at the age of 53.

Other works of the master