The finding of Moses

Giovanni Battista Gaulli called Baciccio
Genova 1639 - Roma 1709
The finding of Moses
Pen and brown ink, brown wash, over traces of black chalk, heightened with white. On thick brown laid paper with indistinct circular watermark.
214 x 310 mm

In very good condition.

Provenance: Old Master Drawings including Corsham Court, sale catalog, Sotheby’s, London, 03/07/1996, lot n. 35

Sold: to the National Gallery of Washington.


Giovanni Battista Gaulli began his artistic experience in Genoa, where he met the works of Rubens and Anton van Dyck, of whom he appreciated the colors and the softness of the painting. He attended the workshop of Andrea Borzone to settle later, from 1657, in Rome.

He became one of the most appreciated collaborators of Gian Lorenzo Bernini who proposed it for the decoration of the pendentives of the dome of Sant'Agnese in Agone and introduced it into the environment of the Jesuits, obtaining for him the commission for the decoration of the Church of Jesus. He frescoed the vault in which he painted the 'Triumph of the Name of Jesus', the presbytery and the chapel of St. Ignatius (1674-1679).

The frescoes of the vault, for their excellence, are considered the pictorial parallel of the altar by Bernini of the Chair in St. Peter's Basilica. Bernini also proposed it for the altarpieces in Sant’Andrea al Quirinale and San Francesco a Ripa where the influence and the baroque taste of the great sculptor is evident.

In 1707 he frescoed the vault of the Basilica of the Holy Apostles with the Triumph of the Franciscan Order and dedicated himself to making cartoons for the mosaics in the baptismal chapel of St. Peter's Basilica.

He also worked in other famous churches including San Rocco in Augusteo, Santa Marta, Santa Maria Maddalena, at Palazzo Chigi and of course in Genoa.

He was an excellent portraitist among the portrayed Clemente IX and Gian Lorenzo Bernini.


Other works of the master